From Ritual to Performance: PHDI DKI Jakarta’s Role in Promoting Hindu Culture at Geguntangan Art Festival

Main Article Content

Untung Suhardi
Kadek Sucipta
I Wayan Arif Sugiyarta
Anak Agung Oka Puspa
I Made Biasa

Abstract

Problem: Geguntangan Art Festival is an important medium for conveying Hindu teachings and preserving Hindu culture in DKI Jakarta. However, the role of Parisada Hindu Dharma Indonesia (PHDI) of DKI Jakarta Province in this festival has not been widely studied, including the obstacles faced such as limited funds, distance, and time in fostering pesantian. Method: This study uses a descriptive qualitative method with data collection techniques through observation, interviews, and documentation to analyze the role of PHDI DKI Jakarta Province in the Geguntangan Art Festival. Result: PHDI DKI Jakarta Province formed the Gita Puspa Sancaya Pesantian Institute to provide guidance to all pesantian in the region. The main obstacles include lack of funds and limited distance and time. As a solution, PHDI formed a competition committee by holding the Geguntangan Art Festival every year. Festival participants from 2012 to 2018 showed an increasingly younger trend, although still dominated by older people. Novelty: This study reveals PHDI DKI Jakarta Province's strategy in maintaining the relevance of the festival as a means of preaching and preserving Hindu culture, including innovations in annual competitions to increase participation of the younger generation. Findings regarding the dynamics of youth participation provide new insights into the development of culture-based religious festivals

Article Details

Section
Articles

References

Aalto, A.-M., Heponiemi, T., Keskimäki, I., Kuusio, H., Hietapakka, L., Lämsä, R., … Abraham, L. (2009). The Persuasive Impact of A Role Norm Message: A Cross-Cultural Study. The European Journal of Public Health, 24(16), 445–451. Retrieved from http://www.jstor.org/stable/40279158

Anoegrajekti, N. (2016). Optimalisasi Seni Pertunjukan: Kontestasi Negara, Pasar dan Agama. Jember: Universitas Jember.

Dana, I. N. (Ed.). (2005). Kompilasi Dokumen Literer 45 Tahun Parisada. Jakarta: Parisada Hindu Dharma Indonesia Pusat.

Bagus, I. P. S. (2007). Siva-Budha Di Indonesia (Ajaran dan perkembangannya) (I). Denpasar: Widhya Dharma.

Carole A. Barbato, E. E. G. and E. M. P. (2003). THE JOURNAL OF FAMILY COMMUNICATION. Communicating in the Family: An Examination of the Relationship of Family Communication Climate and Interpersonal Communication Motives, 3(3), 123–148.

Damayanti, N. dan H. S. (2007). Ragam dan Unsur Spiritual pada Ilustrasi Naskah Nusantara 1800 - 1900-an. Jornal Of Visual Art and Design, I(I), 66–84.

Donder, I. K. (2006). Brahmawidya: Teologi Kasih Semesta dan Kritik Terhadap Epistemologi Teologi, Klaim Kebenaran Program Misi, Komparasi Teologi, dan Konversi (I). Surabaya: Paramita.

Donder, I. K. dan I. K. W. (2012). Teologi Sosial Persoalan Agama dan Kemanusiaan. (S. C. Dash, Ed.) (I). Surabaya: Paramita.

Hemamalini, K. (2013). Kajian Filsafat Ketuhanan Dalam Budaya Masyarakat Hindu Etnis Tiong Hoa Di Penjaringan Jakarta Pusat. Denpasar.

Kartika, I. M. et. a. (2020). Tari Siwa Agni Puja: Landasan Keilmuan dan Kreasi Penciptaan. Jakarta.

Koentjaraningrat. (2002). Pengantar Antropologi Budaya. Jakarta: Rineka Cipta.

Koentjaraningrat. (2007). Manusia dan Kebudayaan di Indonesia. Jakarta.

Mulyana, D. (2010). Komunikasi Antar Budaya (I). Bandung: PT REMAJA ROSDAKARYA. Murtana, I. N. (2011). Afiliasi Ritus Agama dan Seni Ritual Hindu Membangun Kesatuan Kosmis. Mudra, 26(I), 61–69.

Pratyaksa, I. G. T. dan N. W. E. P. (2020). New Media Sebagai Sarana Penyuluhan Agama Hindu Oleh Digital Native. Danapati:Jurnal Ilmu Komunikasi, 1(1), 82–94.

Ritzer, G. (2005). Teori Sosial Postmodern. (N. A. Maulana, Ed.) (III). Yogyakarta: Kreasi Wacana.

Samiyono, D. (2013). Resistensi Agama dan Budaya Masyarakat. Walisongo, 21(2), 251–270.

Sivananda, S. S. (2003). Intisari Ajaran Hindu (I). Surabaya: Paramita.

Storey, J. (2007). Cultural Studies dan Kajian Budaya (I). Yogyakarta: Jalasutra.

Sucitra, I. G. A. (2015). Transformasi Sinkretisma Indonesia dan Karya Seni Islam. Journal of Urban Society,s Arts, 2(2), 89–103.

Sudirga, K., Santosa, H., & Kustiyanti, D. (2015). Jejak Karawitan Dalam Kakawin Arjuna Wiwaha: Kajian Bentuk, Fungsi, Dan Makna. Segara Widya : Jurnal Penelitian Seni, 3(1), 471–481.

Sugiyono. (2011). Metode Penelitian Pendidikan (Pendekatan Kuantitatif, Kualitatif dan Research and Development) (12th ed.). Bandung: CV. Alfabeta.

Suhardi, U. (2015). Kedudukan Perempuan Hindu Dalam Kitab Sarasamuccaya (Kajian Etika Hindu) (I). Surabaya: Paramita.

Koentjaraningrat. (1985). Pengantar Ilmu Antropologi. Jakarta: Aksara Baru.

Laporan Pelaksanaan Festival Seni Geguntangan. (2012). Jakarta: Parisada Hindu Dharma Indonesia Provinsi DKI Jakarta.

Laporan Pelaksanaan Parade Tembang Guntang. (2011). Jakarta: Parisada Hindu Dharma Indonesia Provinsi DKI Jakarta.

Pujileksono, S. (2015). Metode Penelitian Komunikasi Kualitatif. Malang: Intrans Publishing.

Putri, R. D. P. A. (2015). Pengembangan Manajemen Strategi Festival Seni Surabaya. Institut Seni Indonesia Yogyakarta.

Yasa. (2012). Gambelan Geguntangan. Retrieved from http://blog.isi-dps.ac.id/yasa/gambelan-geguntangan

Widnya, K. (2019). Teori Seni dan Estetika. Jakarta: UNHI Denpasar.

Zoetmulder, P. . (2005). AdiParva (Bahasa Jawa Kuno Dan Indonesia). (I). Surabaya: Paramita.